aj ham bat kar rahe hain film sangit ke svarnim yug ki unchaiyon ko chune vale gitkar naushad sahab ki. mariyam bano aur vahid ali ke tin beton aur ek beti men naushad sahab bich ke the. lakhnau ke raeyal thiyetar ke pas vale ghar men hi unka janm hua jaise unka bhavishya unke janm ke sath hi tay ho gaya ho. naushad sahab ghar se niklte the skul jane ke lie aur pahunch jate the raeyal thiyetar men chalne vali muk filmen dekhne.
vahan par laddan khan v unki mandli film ke drishya ke mutabik sangit bajati thi jise dekhakar naushad sahab jhum uthte the. git-sangit se unhen itna prem tha ki unhonne harmoniyam thik karne ki dukan men naukri karni shuru kar di jisse unhen harmoniyam par thiyetar men sune hue gane bajane ko mile. khel-khilaune se khelne ki umra men naushad sahab harmoniyam se khelne lage aur unke sangit prem ke karan jald hi ve ustad laddan khan ki najron men bhi a gae aur unke shagird ban gae. unki sangit sadhna to shuru ho gai kintu unke pita ji iske sakht khilaf the. yahin se shuru hua unke sangit ke safar men sangharshon ka daur.
aie jante hain grahon ke madhyam se ki kis tarah naushad sahab ne anek sangharshon ko par karte hue farsh se arsh tak ka safar tay kiya. naushad sahab ki kundli lagn bali kundli ka achcha udaharan hai. lagnesh chandrama lagn ko saptam bhav se purn drishti pradan kar rahe hain. shadbal men chandrama sarvadhik bali hai. lagn men bhagyesh brihaspati uchchasth hokar virajman hain.
brihaspati svabhavtah shubh grah hai aur kark lagn ki kundli men bhagyesh hokar unki shubhta svatah hi barh jati hai. brihaspati lagn men baithakar lagn, pancham, saptamasth lagnesh chandrama tatha navam bhagya bhav ko purn drishti dvara shubhta pradan kar rahe hain. lagnasth uchch ke brihaspati:‘hans’ namak mahapurush yog bana rahe hain. chaturth bhav men svarashisth shukra ‘malavya’ namak mahapurush yog bana rahe hain. chandrama, brihaspati v shukra tin shubh grahon ka kendriya prabhav lagn ko bali bana raha hai. iski pushti navansh kundli dvara bhi ho rahi hai.
navansh kundli men lagnesh mangal navam bhav men rahu v surya se yut hokar kuch pirit avashya hain kintu chaturth bhavasth brihaspati v saptamasth shukra v chandra ka kendriya prabhav lagn ko bal pradan kar raha hai.
lagn par panchamasth rahu ka bhi drishti prabhav hai jo ki navansh kundli men bhi drishtigochar ho raha hai. lagn par rahu ka prabhav jatak ko bhramit karta hai. jatak sahi v galat ke chakkar men kai bar galat nirnay bhi kar leta hai. chunki naushad sahab ki kundli men shubhta ki matra adhik hai, is karan ve bhramit to hue kintu samay rahte sahi nirnay lene ke karan unhen apne sangharsh men saflta prapt hui. naushad sahab ke pita lakhnau kort men munshi the aur unke parivar ka mahaul bahut hi rurhivadi tha. naushad sahab kai bar sochte the ki ve darbari munshi ki bajay darbari sangitkar ke bete hote to kitna achcha hota.
naushad sahab ke sangit prem ki jankari jaise hi unke pita ko hui unhonne naushad sahab ka harmoniyam ghar se bahar fenkte hue kaha ki yah sab is ghar men nahin chalega. chunki bhagyesh brihaspati jo ki pita ke bhav ke svami bhi hain aur shashthesh jo ki dasham ke bhagyesh bhi hain budh ke nakshatra men virajman hain aur rahu ke upanakshatra men hain. budh vyayesh hokar pancham bhav men rahu se yut hokar karmesh mangal ki hi vrishchik rashi men baithe hue hain.
isi karan naushad sahab ko pita ka virodh sahan karna para aur apna ghar bhi chorna para kyonki unka bhagyoday pardesh (janm sthan se dur) men hi hona tha. naushad sahab ka janm lagnesh ki mahadsha men hua tha. chandrama apne hi nakshatra men aur brihaspati ke upanakshatra men hain. naushad sahab ki bachapan se hi sangit men ruchi thi aur unhonne ise hi apna kariyar banaya. unki kundli men karmesh mangal tritiya parakram bhav men baithakar bhagya bhav, karm bhav v shashth bhav tinon ko hi drishti dvara bal pradan kar rahe hain.
parakram bhavasth mangal ka hi prabhav tha ki naushad sahab ne pita ke dvara sangit ka virodh karne par unse saf-saf shabdon men kah diya tha ki ‘‘sangit meri jindgi hai aur main isi men age barhna chahta hun.’’ karmesh mangal chandrama ke nakshatra aur shukra ke upanakshatra men hain. chandrama lagnesh hokar man ke karak bhi hain aur shukra sukhesh aur labhesh hone ke sath hi git, sangit, sinema, chalchitra adi ka karak bhi hai. isi karan naushad sahab ki git-sangit men bachapan se hi ruchi thi aur ve parhai ke bajay suron ki mohini men khoe rahna jyada pasand karte the. chandrama ke bad praranbh hui panchmesh v karmesh mangal ki mahadsha.
is avdhi men unhonne harmoniyam thik karne ki dukan men kam karte-karte harmoniyam bajana sikha aur ustad laddan khan ji ke shagird banakar sangit sadhna shuru kar di. lagabhag 16 varsh ki ayu men pita-putra ke sangharsh ko samapt karne ke lie unhonne ghar-parivar ko chor diya aur ek natak mandli ke sath nae safar par nikal pare. ab tak unki rahu ki mahadsha shuru ho chuki thi.
panchamasth rahu bhagyesh brihaspati ke nakshatra aur apne hi upanakshatra men budh arthat vyayesh se yut hain. budh vyayesh hone ke sath-sath parakramesh bhi hai. tritiya bhav srijnshilta ka bhav bhi hai. kalpurush ki kundli men tritiyesh budh hai aur budh lekhan kala ke bhi karak hain. naushad sahab ki kundli men budh apne hi nakshatra aur ketu ke upanakshatra men hai. ketu labh bhavasth hai aur tritiya bhav, karmesh mangal tatha pancham bhavasth rahu v budh tatha saptamasth lagnesh chandrama ko purn drishti pradan kar rahe hain. yahi karan hai ki naushad sahab ne gitkar ke rup men film jagat men apni pahchan banai. natak mandli men rahte hue naushad sahab ne uttar pradesh, rajasthan, gujrat adi anek jaghon par sho kiye. kintu unhen yahan apna bhavishya samajh men nahin a raha tha.
naushad sahab ne ant men munbai jane ka faisla liya. munbai men naushad sahab ne kafi sangharsh kiya. yahan sabse pahli naukri unhen ustad jhande khan ke sahayak ke rup men mili. unki tanakhvah matra 40 ru. thi. fir naushad sahab ko ‘ranjit’ muviton men mili 75 rupye tanakhvah ki naukri. naushad sahab men bhagvan ka diya hunar to tha par jarurat thi use pahchanne vali najar ki. vah najar bani kahanikar di. en. manoj ji ki. unki sifarish par prasiddh nirmata nirdeshak mohan bhavnani ne apni film ‘prem nagr’ men giton ki jimmedari di. film safal hui aur naushad sahab ko kai anya filmon ke git likhne ka mauka bhi milne laga.
sangitkar ke rup men unki pahli film thi ‘nai duniya’. naushad sahab ki saflta ke sath hi unka parishramik bhi barhta ja raha tha. 40 rupye tanakhvah se shuru hote-hote 1942 tak unka parishramik 1500 ru. tak pahunch gaya tha. rahu ke bad 16 varsh tak chali brihaspati ki mahadsha ne naushad sahab ko bulandiyon ke shikhar par pahuncha diya. baiju-bavra, shabab, amar, uran khatola, an, mugle ajam adi anek safal filmon ki saflta men naushad sahab ke git-sangit ka mahatvapurn yogdan tha.
yadi kisi bhi jatak ko 20 se 30 ki ayu men aise shubh bhagyesh ki dasha prapt hoti hai jiska lagn, lagnesh se ghanishth sanbandh ho aur karmesh, pancham bhav, sukh, labh adi par bhi shubh prabhav ho to jatak ko achchi ajivika prapt hoti hai tatha jivan ki sabhi sukh-suvidhaen v sanpannata bhi sarlta se prapt ho jati hai. naushad sahab ki 65 hindi filmon men se 3 daymand jubli, 8 goldan jubli, 26 filmen silvar jubli huin. ye ankre unki saflta ki kahani svatah hi kah rahe hain. naushad sahab ki kundli men labhesh shukra brihaspati ke nakshatra aur ketu ke upanakshatra men hai.
brihaspati lagn men aur ketu labh bhav men hi upasthit hain jiske parinamasvarup hi naushad sahab ko ‘padmabhushn’ aur dada sahab falke puraskar mile. sangit ka pratham ‘film feyr’ puraskar ‘baiju bavra’ ko purn drishti pradan kar rahe hain. yahi karan hai ki naushad sahab ne gitkar ke rup men film jagat men apni pahchan banai. natak mandli men rahte hue naushad sahab ne uttar pradesh, rajasthan, gujrat adi anek jaghon par sho kiye. kintu unhen yahan apna bhavishya samajh men nahin a raha tha. naushad sahab ne ant men munbai jane ka faisla liya.
munbai men naushad sahab ne kafi sangharsh kiya. yahan sabse pahli naukri unhen ustad jhande khan ke sahayak ke rup men mili. unki tanakhvah matra 40 ru. thi. fir naushad sahab ko ‘ranjit’ muviton men mili 75 rupye tanakhvah ki naukri. naushad sahab men bhagvan ka diya hunar to tha par jarurat thi use pahchanne vali najar ki. vah najar bani kahanikar di. en. manoj ji ki.
unki sifarish par prasiddh nirmata nirdeshak mohan bhavnani ne apni film ‘prem nagr’ men giton ki jimmedari di. film safal hui aur naushad sahab ko kai anya filmon ke git likhne ka mauka bhi milne laga. sangitkar ke rup men unki pahli film thi ‘nai duniya’. naushad sahab ki saflta ke sath hi unka parishramik bhi barhta ja raha tha. 40 rupye tanakhvah se shuru hote-hote 1942 tak unka parishramik 1500 ru. tak pahunch gaya tha. rahu ke bad 16 varsh tak chali brihaspati ke git ko mila.
apne antim samay men naushad sahab kisi ganbhir bimari se grast nahin hue, han kuch samay asvasth avashya rahe. 5 mai 2006 ko unka dehavsan hua. us samay unki ketu men rahu ki dasha chal rahi thi. ketu markesh surya ke nakshatra men hai aur rahu shashthesh brihaspati ke nakshatra men hai. gochar men ketu kanya rashi arthat ashtam se ashtam tritiya bhav men, rahu min rashi men navam bhav se tritiya ko drishti de rahe the, markesh v ashtamesh shani lagn arthat kark rashi men lagnesh chandrama ke sath virajman the, jin par pratham bhavasth rahu ki purn drishti thi.
is prakar hamne dekha ki naushad sahab ki kundli men bane anek shubh yogon aur upyukt ayu khand men mili shubh dashaon ne unki ishvar pradatt yogyata ko viksit kar unhen film jagat men safal gitkar v sangitkar ke rup men sthapit kiya. apne sangit ke karan ve sadaiv hamari smritiyon men vidyaman rahenge.